COMPLETE · SIX VOLUMES · LITERARY SPECULATIVE FICTION

Wondrous
Travels

A philosophical satire with a marriage at its heart: Lin Reyes searches five impossible nations for her wife, Nisha.

The eye and nested faces from the many-faced emblem, isolated inside an orbital and matrix field.

This work inherits the eye: perception, relation, designation, and the person a system keeps renaming.

PROFESSIONAL FILE

Volume I is the professional entrance.

Complete six-volume cycle; the public artwork is context, not required homework.

Form
Six-volume literary cycle
Genre
Literary speculative fiction · institutional satire · queer/trans fiction
Lead submission
Volume I · Compression Nation
Status
Complete
Materials
Query · synopsis · public sample · complete Volume I · series map
Rights inquiry
Literary · translation · audio · dramatic adaptation

THE HUMAN CENTER

A marriage under operations.

The love story is simple: Lin Reyes is trying to recover her wife, Nisha.

The narrative movement is simple enough to state: Lin Reyes is trying to recover her wife, Nisha. The systems she encounters make that simple desire increasingly difficult to preserve in its own terms.

Each jurisdiction offers a way to measure, classify, preserve, optimize, or explain human existence. The satire acquires its stakes from the distance between what those systems can record and what Lin and Nisha know of one another.

THE SIX OPERATIONS

Five jurisdictions.
One fault-line.

ICompression Nation

The lead submission unit. A life and marriage are made administratively smaller until the remainder becomes the story.

IIMagnification Nation

Total resolution promises truth and instead makes the object unbearable, all pores and no skin.

IIIAbstract Nation

History and relation become positions in a formal system whose beauty cannot redeem what it organizes.

IVRational Nation

Choice is redesigned as a menu whose available answers preserve the institution that posed the question.

VBetween the Versions

The reader enters the gap between authorized accounts and the lives each account incompletely preserves.

0The First Fault-Line

Read last. The recursion anchor reveals the prior break that the numbered cycle has been circling.

Lin stared at the word voluntary.

Nisha had written I need to try this.

Voluntary was not the same as free.

Lin thought of leaving the pod, walking back out through the arch, returning to noise and keys and pain that belonged to her. But Nisha was here.

And if rankings were the toll, Lin would pay them in whatever currency they demanded, so long as she didn't pay with her marriage.

“Identity recalibrations had improved liquidity. That meant someone was being erased.”
Wondrous Travels · The First Fault-Line

FORM AS PRESSURE

The artwork is context.
The submission is a novel.

01

Character first

Lin and Nisha’s relation gives every formal operation something human to damage, preserve, price, or misunderstand.

02

Six distinct forms

Each volume changes scale and method rather than merely extending one plot across six containers.

03

Reader position

The apparatus asks what the reader is willing to treat as evidence and what she discards as remainder.

04

Lead unit

Volume I, Compression Nation, is the primary professional submission. The complete cycle exists behind it.

THE JOKE ESCAPED THE BOOK

Before Sive / After Sive

The First Fault-Line introduces the Pi Council's BS/AS calendar. A later committee address and standalone story imagine what happens when the classification becomes institutional policy.

REPRESENTATION · PUBLICATION · ADAPTATION

Request Volume I
or the complete cycle.

A synopsis, sample, full manuscript, volume architecture, and reader apparatus are available for serious professional review.